Sheila McLeod Robertson

Near Cape Wrath

Near Cape Wrath by Sheila McLeod Robertson
LimitedEdition Serigraph of 295 plus 5 artists proofs.
100% rag paper (300gsm) with lightfast inks.
Image size 15.5ins. by 22.75ins (39.25cms by 58cms)

This edition is protected by Omniguard
Retreating Tide, Ardtoe, Argyll

"Retreating Tide, Ardtoe, Argyll", Sheila Mcleod Robertson
Limited Edition print of 295 plus 5 artists proofs. 100% rag paper (300gsm) with lightfast inks.
Image size 8.5ins. by 12.5ins (21.6cms by 31.7cms)
This edition is protected by Omniguard
Rocks at Eigol

"Rocks at Eigol", Sheila Mcleod Robertson
Limited Edition print of 195 plus 5 artists proofs. 100% rag paper (300gsm) with lightfast inks.
Image size 8ins. by 11ins (20.5cms by 25.9cms)
This edition is protected by Omniguard
Fresh Winds, Cornwall

"Fresh Winds, Cornwall", Sheila Mcleod Robertson
Limited Edition print of 295 plus 5 artists proofs. 100% rag paper (300gsm) with lightfast inks.
Image size 8.5ins. by 12.5ins (21.6cms by 31.7cms)
This edition is protected by Omniguard


Sheila McLeod Robertson Click on photograph to find out more about this artist. Scotland's dramatic landscape and coastline have always held a strong appeal for Sheila McLeod Robertson. Though she has painted other parts of Britain, she feels Scotland has an additional pull. Based in Edinburgh, Robertson spends much time travelling the country, often by sea, working either directly from the landscape or from water-colour sketches.

Often likened to the Scottish Colourists, Robertson is fired by a desire to communicate the full intensity of colour found in the natural world, a task to which she believes the palette of oil colours is more suited than the camera, which, she says; "Doesn't capture the range of colour that the human eye can see. A photograph never gets the colour right". Robertson has exhibited in the United States, Sweden and Japan.

The ever changing light in Scotland can pose a challenge to artists. Sheila McLeod Robertson finds that she sometimes paints in watercolour as many as twenty or so small sketches which will help her finish her oil painting back at her studio. "The tide coming in or out can transform a beach so that the scene you start with is quickly replaced. Sometimes that can create a more interesting view and my canvas will reflect that change. At other times I prefer the original aspect and I then refer to my watercolour sketches."

Sheila McLeod Robertson is a member of the Royal Society of Marine Artists. Not only does she exhibit at their London exhibition each summer, she also gives master classes. Sheila, now in her seventies, is not content with attending in a teaching capacity, she often sits in on other artist's classes. She says, "You are never too old to learn something new. Life would be very boring if we stopped learning"

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