Click on photograph to find out more about this artist.
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Aliisa Hyslop is now widely acclaimed on both sides of the Atlantic
particularly since her work was featured in "Radiance", a US magazine
for the larger woman. However, Hyslop, who does not fall into the
category of "the larger woman", explains the scale of the figures she
paints in a different way. "I don't see them as fat," she says. "They
are big because my paintings are about feelings and the soul and I
think the soul is immense - and it's almost like they're ready to
burst". This strength of feeling is apparent in all of her work which
cannot fail to trigger within the viewer a reaction of amusement,
pathos or gentle irony.
The rapidly increasing popularity of Hyslop's work was manifest in a
recent sell-out exhibition at The Leith Gallery in Edinburgh and is due
, in no small measure, to the bond the images create with the viewer.
There is something of all of us in them and whether we see the subjects
as funny or sad they still touch a chord. Hyslop herself does not see
her pictures as funny because she does not often intend them to be that
way. "I think they are more ironic", she says. Whether sad, funny or
ironic, they are certainly unusual.
Her ideas come from everywhere and are completely formulated in her mind before she paints. "A lot of artists' work seems to develop as they work on a picture. I don't. Mine is completely in my mind and it's actually a matter of getting it out."
Hyslop has painted semi-professionally since she settled in Edinburgh after graduating from Portsmouth School of Art in 1981 and has been painting full-time since 1995.
From a creative family of mixed Scottish and Finnish parenthood Hyslop
has drawn on family folk-lore and childhood memories of visits to
relatives in the forests of south east Finland to developed her own
unique style of communication. The Finnish strength of character and
silent fortitude come across in her paintings, as does the stillness
of the seasons in that northern woodland country. "I'm drawn to the
melancholy, the darker side," she says. "Sometimes pictures, like
music, express things that cannot be expressed in words". The end
product of her artistic expression depicts characters set in a
dreamlike limbo somewhere between reality and imagination-a timeless,
never ending play of great depth and warmth.
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